Britt Festivals
2010 Season
 

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The Avett Brothers

Sunday, July 17 • 7:30 p.m.

TheAvettBrothers.jpgThe Avett Brothers are a lot of things to a lot of people, not the least of which is a rootsy amalgam of folk, country, bluegrass, rock and pop – with a little jab of punk-style dynamics thrown in here and there. They’re also a band with a sizeable following based largely on their rowdy, infectious live shows. In concert, the high-flying ensemble tears through tunes with unbridled energy, popping banjo and guitar strings right and left while inciting stomping sing-alongs from riveted audiences. One thing is certain: The Avett Brothers are a grassroots phenomenon, built from the ground up.

For more information, visit www.theavettbrothers.com

 

Jessica Lea Mayfield

JessicaLeaMayfield.jpg

The uncommonly mature 21-year old Jessica Lea Mayfield’s latest album, Tell Me, is a stunningly forthright set of songs that address late-night longings, serial heartbreak and dangerous liaisons. It’s as though Mayfield stripped the sentimentality and ruefulness from a bunch of classic country songs, leaving only the stark emotions. The tone of her music is plaintive and sparse, ornamented with a voice that’s matter-of-fact but mesmerizing. Musically, Mayfield’s beyond her years as well, having started her career at age 8 playing with One Way Rider, the Mayfield family bluegrass band.

For more information, visit http://www.jessicaleamayfield.com/

Table Rock City Stage performer: Justin Gordan

Justin Gordan will be performing on the Table Rock Stage from 6 to 7 p.m. For more information, visit  www.myspace.com/justingordonmusic            

Watch video of The Avett Brothers

Watch video of Jessica Lea Mayfield

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Reviews:

Posted Jul 19, 2011 at 09:25 AM By Britt Patron

The Avett Bros once again gave a full-hearted performance. I appreciate the way they keep all their songs fresh, a clue that they still enjoy what they do, and that carries through to the audience.

Jessica Mayfield….. If anyone came to the concert who was already severely depressed, she could have been dangerous. Her singing was uninspired moaning in pain and torment while the backing band assaulted their instruments. She often could not carry a simple monotonous tune. Except for the last song which had a faster tempo, they all sounded like the same sad song. I might have named them The Thorazine Waltz, My Tortured Existence and Please Pass the Kool-aid. It is a complete mystery to me how she got on stage. Kudos to her promoter.

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