PERFORMANCES & TICKETS
Britt Orchestra: Bernstein Centennial & Anthony Marwood
Friday, August 10 • 7:30 p.m.
PROGRAM: Anthony Marwood, violin
LEONARD BERNSTEIN: Candide: Overture
LEONARD BERNSTEIN: Serenade (After Plato's "Symposium") • Anthony Marwood, violin
(Guest Artist Sponsor: Pacific Retirement Services)
RICHARD STRAUSS: Also Sprach Zarathustra
TICKETS: Premium Reserved $45 | Standard Reserved $25 | Lawn $20 | Child/Student Lawn $10
GATES OPEN: @ 5:30 Early Entry | 5:45 General Public
PRE-CONCERT TALK: 6:30 p.m. in the Performance Garden
Program: Bernstein Centennial Celebration with Anthony Marwood, violin
LEONARD BERNSTEIN – Candide: Overture
LEONARD BERNSTEIN - Serenade (After Plato's "Symposium") • Anthony Marwood, violin
RICHARD STRAUSS - Also Sprach Zarathustra
Einleitung, oder Sonnenaufgang (Introduction, or Sunrise)
Von den Hinterweltlern (Of Those in Backwaters)
Von der großen Sehnsucht (Of the Great Longing)
Von den Freuden und Leidenschaften (Of Joys and Passions)
Das Grablied (The Song of the Grave)
Von der Wissenschaft (Of Science and Learning)
Der Genesende (The Convalescent)
Das Tanzlied (The Dance Song)
Nachtwandlerlied (Song of the Night Wanderer)
Program notes TBD
Guest Artist: Anthony Marwood, violin
British violinist Anthony Marwood is known worldwide as an artist of exceptional expressive force. His energetic and collaborative nature places him in great demand as soloist/director with chamber orchestras worldwide.
He is Principal Artistic Partner of the celebrated Canadian chamber orchestra, Les Violons du Roy, a post he took up in 2015. In the 16/17 season, he was Artist in Residence at the Norwegian Chamber Orchestra. His eminence as a soloist has brought him to work with conductors such as Valery Gergiev, Sir Andrew Davis, Thomas Søndergård, David Robertson, Gerard Korsten, Ilan Volkov, Jaime Martin, Bernard Labadie and Douglas Boyd. In recent years, engagements have included the Boston Symphony, St Louis Symphony and Vienna Radio Symphony, as well as the New Zealand and Tasmanian Symphony Orchestras and the Australian Chamber Orchestra. Last season included performances of Kurt Weill’s concerto with the Royal Philharmonic Orchestra of Galicia, play/direct projects with the Aurora Orchestra at London’s Royal Festival Hall and with the Adelaide Symphony Orchestra, a return to the Amsterdam Sinfonietta for a tour of the Netherlands, and a performance of Brahms’s Double Concerto with Alexander Rudin and Musica Viva Moscow.
Marwood is a renowned champion of contemporary music, alongside more traditional repertoire. Among those new works composed for him is Thomas Adès’ Violin Concerto “Concentric Paths”. Marwood premiered the work in Berlin and at the BBC Proms with the Chamber Orchestra of Europe with Ades conducting. They followed these performances with many national premieres around the globe and a release on EMI in 2010. Last season, he performed it with the Leipzig Gewandhaus Orchestra under Andrew Manze. Also composed for Marwood were Steven Mackey’s “Four Iconoclastic Episodes”, premiered in 2009 with the Irish Chamber Orchestra, and Sally Beamish’s 1995 violin concerto, premiered by Marwood with the BBC Scottish Symphony Orchestra under Martyn Brabbins. The most recent work written for Marwood is Samuel Adams’ Violin Concerto, premiered in 2014 by the Berkeley Symphony in California under Joana Carneiro to critical acclaim.
Another facet of Marwood’s career is genre-bending presentations, such as the Academy of St Martin in the Fields’ fully-staged production of Stravinsky’s “A Soldier’s Tale”, in which Marwood acted the role of the Soldier and played the violin part. He also enjoyed a successful collaboration with award-winning Indian classical dancer Mayuri Boonham.
Born in London, Anthony Marwood studied with Emanuel Hurwitz at the Royal Academy of Music, David Takeno at the Guildhall School of Music, and took lessons from Sándor Végh and Daniel Phillips at IMS Prussia Cove. He was named Instrumentalist of the Year by the Royal Philharmonic Society in 2006 and was the violinist of the Florestan Trio for sixteen years. He is co-Artistic Director of the Peasmarsh Chamber Music Festival in East Sussex, performs annually at the Yellow Barn Festival in Vermont, and enjoys a close association with the Australian National Academy of Music in Melbourne. Marwood was appointed a Fellow of the Guildhall School of Music in 2013. He plays a 1736 Carlo Bergonzi violin, kindly bought by a syndicate of purchasers.
Pre-concert talk: Details TBD
Begins in the Britt Performance Garden at 6:30 p.m.