PERFORMANCES & TICKETS
Stephen Stills & Judy Collins
Friday, September 8, 7:30 p.m. • 2017
TICKETS: Res. $65 | Premium Lawn Blankets $236 (4-person) / $118 (2-person) | Lawn $39 | Child (1-12) Lawn $29
GATES OPEN: @ 5:45 Early Entry | 6:00 General Public
New This Year: Print Tickets at Home or Use Your Phone!
50 years ago, singer-songwriter Stephen Stills met singer-songwriter Judy Collins, known for her piercing ocean blue eyes. Their tumultuous love affair would later be immortalized by Stills with his composition “Suite: Judy Blue Eyes,” performed by Crosby, Stills & Nash on their landmark debut. Both artists would go on to shape modern music with visionary approaches, but Stills and Collins’ short fiery union remains a transformative era for the two artists.
This summer, the two icons of folk will celebrate the golden anniversary of their formative time together. Their joint summer tour marks the first time ever Stills and Collins have been onstage together. For this once in a lifetime experience, the two music legends will pull from their rich catalogs, debut songs from their upcoming album, due out Summer of 2017, and share warm and intimate stories from their journeys and the1960s folk and Laurel Canyon scenes they helped build.
Stills and Collins met in 1967 and dated for two years. Stills wrote and demoed his legendary love song to Collins right after he left Buffalo Springfield, before he joined CSN. “Suite: Judy Blue Eyes” is a five-section romantic epic brimming with heartfelt sincerity. The song has been ranked #418 in Rolling Stone’s 500 Greatest Songs Of All Time Poll.
Stills is known for his work with Buffalo Springfield, Crosby, Stills & Nash, and his solo work. In addition to “Suite: Judy Blue Eyes,” Still is best known for the hits “ For What It’s Worth” by Buffalo Springfield and “Love The One You’re With” from his solo debut, Stephen Stills. He’s a multi-instrumentalist, composer, and ranked #28 in Rolling Stone Magazine’s “The 100 Greatest Guitarists Of All Time.” He also has the added distinction of being the first artist to be inducted into the Rock N’ Roll Hall of Fame twice in one night (for his work with CSN and Buffalo Springfield).
Collins is known for her eclectic palette as a solo artist, melding folk, rock, classical, and jazz into a singular aesthetic. She’s earned five Grammy nominations including one in 2017 and one Grammy win. Outside of music, Collins has published two memoirs, one novel, and, in 1975, was nominated for an Academy Award for the documentary Antonia: A Portrait of the Woman. Collins is also a lifelong activist.
Guest Artist: Kenny White
Kenny White comes to the world of the touring singer-songwriter following a long and successful musical journey. LONG LIST OF PRIORS, his aptly named new album, is the latest collection of original songs: indelible snapshots of the human condition, from heart-wrenching to hilarious and observed with the precision of a diamond cutter. As on his past recordings, Kenny White’s work in the studio enabled him to assemble a who’s who of musicians and guest artists, including David Crosby, Peter Wolf, Larry Campbell, Amy Helm and Catherine Russell, along with his regular band featuring the dexterous Duke Levine on guitar, shape-shifting Shawn Pelton (Saturday Night Live) on drums, and the masterful Marty Ballou on bass. Now add the horns, strings, and other surprising arrangements, and LONG LIST OF PRIORS is a refreshingly original and multi-layered singer-songwriter recording.
Born in New York City and raised across the river in Fort Lee, New Jersey, Kenny White began his career in the 1970s, touring exclusively as the keyboard player for Jonathan Edwards and Livingston Taylor, with whom he opened Linda Ronstadt’s legendary, “Living in the USA” tour. He then became a fixture in the NYC studio scene throughout the 1980s and 1990s, producing and arranging literally hundreds of commercials for TV and radio, beginning with “The Unsinkable Taste of Cheerios,” nearly seven years of Chevrolet’s “Heartbeat of America” campaign, and countless ads for the Coca Cola company. Commercial work enabled White to direct artists as renowned and varied as Gladys Knight, Ms.Ronstadt, Mavis Staples, Ricky Skaggs, and Aaron Neville. He even was tapped to conduct a portion of the London Symphony Orchestra for a series of commercials for Greyhound bus lines.
White worked on many film soundtracks as a contributing writer/musician including Message in a Bottle, Where the Heart Is and four films by Indie-director laureate, John Sayles. His piano solos set the scenes throughout the beloved A Walk on the Moon, which often gets a resurrection on the anniversary of the Woodstock Festival. Kenny also appears on dozens of recordings of other musicians, including Marc Cohn’s platinum debut album.
Kenny White’s record producing credits include Shawn Colvin’s Grammy-nominated song, “I Don’t Know Why,” as well as the last four solo CDs for Peter Wolf, formerly with the J. Geils Band: FOOL’S PARADE, SLEEPLESS (named one of Rolling Stone’s “500 Greatest Albums of All Time”), MIDNIGHT SOUVENIRS, which debuted at #45, and the 2016 release A CURE FOR LONELINESS, which reached #23 on the Americana chart in its first 6 weeks. Kenny often joins Wolf’s Midnight Ramblers band on tour, honing his celebrated rock & roll keyboard skills, and to play onstage alongside his own LONG LIST OF PRIOR musicians, Duke Levine and Marty Ballou.
Pre-concert music: Hannah Cooper
Begins in the Britt Performance Garden at 6:00 p.m.