PERFORMANCES & TICKETS
Trampled By Turtles with special guest Deer Tick
Thursday, June 28 • 7:00 p.m.
TICKETS: Reserved $42 | Standing Room Only $39 | Lawn $37 | Child (1-12) Lawn $27
GATES OPEN: @ 5:45 Early Entry | 6:00 General Public
General Public sales for this show open Friday, March 9th at 10:00 a.m.
Trampled by Turtles are from Duluth, Minnesota, where frontman Dave Simonett initially formed the group as a side project in 2003. At the time, Simonett had lost most of his music gear, thanks to a group of enterprising car thieves who'd ransacked his vehicle while he played a show with his previous band.
Left with nothing more than an acoustic guitar, he began piecing together a new band, this time taking inspiration from bluegrass, folk, and other genres that didn't rely on amplification. Simonett hadn't played any bluegrass music before, and he filled his lineup with other newcomers to the genre, including fiddler Ryan Young (who'd previously played drums in a speed metal act) and bassist Tim Saxhaug. Along with mandolinist Erik Berry and banjo player Dave Carroll, the group began carving out a fast, frenetic sound that owed as much to rock & roll as bluegrass.
Trampled by Turtles released their first record, Songs from a Ghost Town, in 2004. In a genre steeped in tradition, the album stood out for its contemporary sound, essentially bridging the gap between the bandmates' background in rock music and their new acoustic leanings. Blue Sky and the Devil (2005) and Trouble (2007) explored a similar sound, but it wasn't until 2008 and the band's fourth release, Duluth, that Trampled by Turtles received recognition by the bluegrass community. Duluth peaked at number eight on the Billboard bluegrass chart and paved the way for a number of festival appearances. When Palomino arrived in 2010, it was met with an even greater response, debuting at the top of the bluegrass chart and remaining in the Top Ten for more than a year. Two years later, their crossover appeal landed them at number 32 on the Billboard 200 pop charts upon the release of their sixth album, Stars and Satellites. In addition to major bluegrass and folk festivals, they began showing up at Coachella, Bumbershoot, and Lollapalooza. The official concert album, Live at First Avenue, followed in 2013, recorded at Minnesota's most famous venue. A year later, the band returned with the darker-toned Wild Animals, which bettered its studio predecessor on the album charts, reaching number 29. Trampled will release their latest album Life Is Good On The Open Road on May 4th, 2018.
Guest Artist: Deer Tick
Each new Deer Tick record has stood as a progressive milestone for frontman John McCauley and the Providence, Rhode Island-based band (guitarist Ian O’Neil, bassist Christopher Dale Ryan, keyboardist Rob Crowell, and drummer Dennis Ryan), but Negativity represents an epic leap forward on virtually all fronts.
Recorded earlier this year in Portland, Oregon with legendary producer/musician Steve Berlin (The Blasters, Los Lobos, and last year’s McCauley side project, Diamond Rugs), the album is McCauley’s most personal work thus far as well as the band’s most undeniable and universal, their famously freewheeling musical approach refined here into a gloriously cohesive whole.
Negativity was penned over the course of a genuinely eventful 2012, an annus horribilus in which McCauley’s father pleaded guilty to federal charges of conspiracy and tax fraud, ultimately leading to a prison sentence. As if that weren’t enough, McCauley’s wedding engagement collapsed under the weight of his own excessive behavior and impossible lifestyle. Like any true artist, McCauley channeled his anger, sadness, and regret into his work, resulting in what can be safely declared his finest collection of songs to date, impassioned and interior and increasingly mature, both as expression of emotion as well as pure unadulterated songcraft.
Deer Tick – sounding as sure-footed as one would expect from a band known for spending a couple of hundred nights each year on stage – more than match the strength of the material by taking a more detailed approach than on some of the breakneck recordings of their past. From the sparkling baroque pop of “The Dream’s In The Ditch” to the full-blown Memphis showstopper, “Trash,” Negativity sees the Tick bridging boozy punk, AM gold, bar band blues, country soul, and whatever else catches their fancy into their own profoundly American rock ‘n’ roll. Additional sonic color comes courtesy of magnificently arranged brass accompaniment by Austin, Texas’sGRAMMY®-winning Latin fusion collective, Grupo Fantasma.
While Deer Tick have been rightfully hailed for their raucous rave-ups and substance-fueled fervor,Negativity places considerable focus on the band’s nuanced and tender side, with notable highlights including the wrenching breakup ballad, “Hey Doll,” and “In Our Time,” a timeless country tearjerker featuring duet vocals from McCauley’s good friend, singer/songwriter Vanessa Carlton. At once heartbreaking, fist-pumping, and indeed, life-affirming, Negativity stands as a genuine high water mark for Deer Tick – a defining collection from a band driven by an undying faith in rock ‘n’ roll’s evergreen power of redemption and transcendence.