PERFORMANCES & TICKETS
Trampled By Turtles
Sunday, July 21 • 7:00 p.m.
TICKETS: Reserved $43 | Standing Room Only $41 | Lawn $39 | Child (1-12) Lawn $29
GATES OPEN: @ 5:45 Early Entry | 6:00 General Public
ALCOHOL: Patrons will not be permitted to bring in outside alcohol for this performance
Trampled by Turtles are from Duluth, Minnesota, where frontman Dave Simonett initially formed the group as a side project in 2003. At the time, Simonett had lost most of his music gear, thanks to a group of enterprising car thieves who'd ransacked his vehicle while he played a show with his previous band. Left with nothing more than an acoustic guitar, he began piecing together a new band, this time taking inspiration from bluegrass, folk, and other genres that didn't rely on amplification.
Simonett hadn't played any bluegrass music before, and he filled his lineup with other newcomers to the genre, including fiddler Ryan Young (who'd previously played drums in a speed metal act) and bassist Tim Saxhaug. Along with mandolinist Erik Berry and banjo player Dave Carroll, the group began carving out a fast, frenetic sound that owed as much to rock & roll as bluegrass.
Trampled by Turtles released their first record, Songs from a Ghost Town, in 2004. In a genre steeped in tradition, the album stood out for its contemporary sound, essentially bridging the gap between the bandmates' background in rock music and their new acoustic leanings. Blue Sky and the Devil (2005) and Trouble (2007) explored a similar sound, but it wasn't until 2008 and the band's fourth release, Duluth, that Trampled by Turtles received recognition by the bluegrass community. Duluth peaked at number eight on the Billboard bluegrass chart and paved the way for a number of festival appearances. When Palomino arrived in 2010, it was met with an even greater response, debuting at the top of the bluegrass chart and remaining in the Top Ten for more than a year. Two years later, their crossover appeal landed them at number 32 on the Billboard 200 pop charts upon the release of their sixth album, Stars and Satellites. In addition to major bluegrass and folk festivals, they began showing up at Coachella, Bumbershoot, and Lollapalooza. The official concert album, Live at First Avenue, followed in 2013, recorded at Minnesota's most famous venue. A year later, the band returned with the darker-toned Wild Animals, which bettered its studio predecessor on the album charts, reaching number 29.
Guest Artist: The Dead South
Try not to step on the chalk outlines when navigating through prairie pickers The Dead South's catalogue. Over the course of two full-length albums, it's true that the villainous, murderous match-strikers and revenge-takers outnumber those with good intentions, but in the end, no heinous act goes unpunished.
The Dead South, a gold rush vibing four-piece acoustic bluegrass set from Saskatchewan, infuse the genre's traditional trappings with an air of frontier recklessness, whiskey breakfasts and grizzled tin-pan showmanship. The sound, build on a taut configuration of cello, mandolin, banjo and guitar, speeds like a train past polite definitions of bluegrass into the grittier, rowdier spaces of the traditional world.
Currently one of the hottest tickets on both sides of the Atlantic, The Dead South's rise to touring juggernaut status is in part a very modern music biz fairytale, an algorithm-breaking success story in a one hundred-million view youtube hit. The other factor, one simpler to see in terms of cause and effect, is their actual show - on stage they deliver, show after sold out show, a relentlessly great, high-energy frenzy that has resulted in nearly 50,000 tickets sold in 2018. The numbers are adding up for this Billboard charting, JUNO Award winning, Next Big Sound Trendsetting, Road Gold certified band. Through partnerships with ethical ticket resellers, The Dead South are helping fans fight back against shady secondary ticket markets, and have become, in their success, a model of fan-first artist citizenship.
The Dead South's original and current lineup includes the gnarled baritone of Nate Hilts, Scott Pringle on mandolin, whistling cellist Danny Kenyon and virtuosic banjo player Colton Crawford. The four-piece, acoustic string-driven approach puts the interplay of unique and versatile voices front and centre, with Hilts, Pringle and Kenyon all sharing lead vocal duties.
Since their 2016 release, The Dead South have maintained this formidable touring pace while also finding time to pop up in fitting and meaningful ways; the band contributed to the recent, star-studded bluegrass and Americana Roger Miller tribute album, Hilts has appeared in sparse and sweet duets with fellow prairie boy Colter Wall, and the band has taken the first steps towards a new album with a trip to Muscle Shoals. The Dead South are ready for 2019 with an impressive amount of fuel for the fire.
Pre-concert music: TBD
Begins in the Britt Performance Garden at 6:00 p.m.