Bonnie Raitt – SOLD OUT
August 27 @ 7:00 pm
SOLD OUT. Check with the Box Office – availability may change: 541-773-6077
TICKETS: Reserved $89 | Lawn $59 | Child (1-12) Lawn $49 | Premium Blanket (for 4) $460 | Premium Blanket (for 2) $230
GATES OPEN: @ 5:45 Early Entry | 6:00 General Public
ALCOHOL: Customers will NOT be permitted to bring in outside alcohol for this performance
At this time, Britt does not plan on requiring any COVID patron restrictions during the 2022 season.
The event organizer suggests and encourages the following:
- Ticket holders are requested to wear a face mask.
- We suggest that ticket holders be up to date on vaccination protection.
- We encourage ticket holders to receive a negative COVID-19 test within 72 hours of the concert.
- Please be sure to check the venue website for any updates on the mandated COVID-19 protocols before the concert.
Bonnie Raitt is a singer, songwriter and guitarist whose unique style blends blues, R&B, rock, and pop. After 20 years as a cult favorite, she broke through to the top in the early 90s with her GRAMMY-award winning albums, ‘Nick of Time’ and ‘Luck of the Draw,’ which featured hits, “Something To Talk About” and “I Can’t Make You Love Me” among others. The ten-time Grammy winner was inducted into the Rock & Roll Hall of Fame in 2000 and Rolling Stone named the slide guitar ace one of the “100 Greatest Guitarists of All Time” and one of the “100 Greatest Singers of All Time.”
Raitt’s widely-acclaimed 2012 independent release ‘Slipstream’ sold over a quarter-million copies, making it one of the top selling independent albums, and earned Raitt her 10th Grammy Award (Best Americana Album). In February 2016, Raitt released her highly-anticipated 20th album, ‘Dig In Deep’ (Redwing Records.) On tour for much of 2017-2019, Raitt and her band performed overseas in Australia, New Zealand as well as Canada before spending the summers touring as support for James Taylor in stadiums and arenas across the U.S., United Kingdom and Europe.
As known for her lifelong commitment to social activism as she is for her music, Raitt has long been involved with the environmental movement, performing concerts around oil, nuclear power, mining, water and forest protection since the mid 70’s. She was a founding member of MUSE (Musicians United for Safe Energy) which produced the historic concerts, album and movie NO NUKES and continues to work on safe energy issues in addition to environmental protection, social justice and human rights, as well as creator’s rights and music education.
Opening Artist: Mavis Staples
“I’m the messenger,” Mavis Staples says on the eve of her 80th birthday. “That’s my job—it has been for my whole life—and I can’t just give up while the struggle’s still alive. We’ve got more work to do, so I’m going to keep on getting stronger and keep on delivering my message every single day.”
That message—a clarion call to love, to faith, to justice, to brotherhood, to joy—lies at the heart of ‘We Get By,’ Staples’ spectacular twelfth studio album and first full-length collaboration with multi-GRAMMY Award-winner Ben Harper. Backed by her longtime touring band, Staples breathes extraordinary life into Harper’s compositions on the record, delivering roof-raising performances with both a youthful vigor and a commanding maturity. The arrangements here are spare but weighty, matched by Harper’s suitably lean and thoughtful production, and Staples seizes the opportunity to showcase her remarkable and continued evolution as an artist, one still growing and exploring more than half a century into her storied career. ‘We Get By’ is undoubtedly a timely collection, arriving such as it does in the face of deep social divisions and heightened political tensions, but like everything Staples touches, it’s also larger than any particular moment, a timeless appeal to the better angels of our nature that’s universal in its reach and unwavering in its assurance of better things to come. Read More
“When I first started reading the lyrics Ben wrote for me, I said to myself, ‘My God, he’s saying everything that needs to be said right now,’” Staples remembers. “But the songs were also true to my journey and the stories I’ve been singing all my life. There’s a spirituality and an honesty to Ben’s writing that took me back to church.”
Hailed by NPR as “one of America’s defining voices of freedom and peace,” Staples is the kind of once-in-a-generation artist whose impact on music and culture would be difficult to overstate. She’s both a Blues and a Rock and Roll Hall of Famer; a civil rights icon; a GRAMMY Award-winner; a chart-topping soul/gospel/R&B pioneer; a National Arts Awards Lifetime Achievement recipient; and a Kennedy Center honoree. She marched with Dr. Martin Luther King, Jr., performed at John F. Kennedy’s inauguration, and sang in Barack Obama’s White House. She’s collaborated with everyone from Prince and Bob Dylan to Arcade Fire and Hozier, blown away countless festivalgoers from Newport Folk and Glastonbury to Lollapalooza and Bonnaroo, performed with The Band at The Last Waltz, and graced the airwaves on Fallon, Colbert, Ellen, Austin City Limits, Jools Holland, the GRAMMYs, and more. At a time when most artists begin to wind down, Staples ramped things up, releasing a trio of critically acclaimed albums in her 70’s with Wilco’s Jeff Tweedy that prompted Pitchfork to rave that “her voice has only gained texture and power over the years” and People to proclaim that she “provides the comfort of a higher power.” In between records with Tweedy, Staples teamed up with a slew of other younger artists—Bon Iver’s Justin Vernon, Nick Cave, Valerie June, tUnE- yArDs, and M. Ward among others—for ‘Livin’ On A High Note,’ an album The Boston Globe called “stunningly fresh and cutting edge” and which first introduced her to Harper.
It’s impossible to listen to a voice like Staples’ without contemplating all she’s been through in her life—the album cover features a heartrending Gordon Parks photo that speaks to the casual cruelty of racial segregation in 1950’s Alabama—but it only serves to make her optimism and resilience that much more inspiring and contagious. There is darkness and doubt on the album to be sure (the spirit of Pops Staples informs the mournful “Heavy On My Mind,” which recognizes that some wounds never heal, while the poignant “Never Needed Anyone” stings with the pain of lingering regret) but it’s consistently overpowered by hope and conviction. “Been holding on too long to let go / Running too hard to slow down / Believing too deep to not have faith,” Staples confesses on the soulful “One More Change To Make.” In that sense, the album’s title is more than just an observation. When Staples and Harper join forces to sing “We Get By,” it’s a prayer, a promise, an invitation.
“I sing because I want to leave people feeling better than I found them,” Staples concludes. “I want them to walk away with a positive message in their hearts, feeling stronger than they felt before. I’m singing to myself for those same reasons, too.”
Even the messenger needs a reminder every now and then.
Pre-concert music: Ashleigh Flynn and the Riveters
Begins at 6:00 PM on the Enfield Stage in the Britt Performance Garden