Other recent projects include a new work for the Calder Quartet through the LA Phil, premiered at Noon to Midnight; a major choral-orchestral work for the Orchester Cottbus Staatstheater, Land Mass; and dates at the Elbphilharmonie Hamburg, the Neue Galerie, and Big Ears Festival with vocalist Theo Bleckmann. In November 2019, Andres curated (and performed in) “American Perspective,” a concert with the Cincinnati Symphony, André de Ridder, Dance Heginbotham, and Inbal Segev, playing his cello concerto, Upstate Obscura.

During the “quiet” season of 2020/21, Timo Andres built an impressive library of gorgeous music films, featuring a deep range of repertoire which he performed, recorded, engineered, directed, and edited from home. He shares these films with an engaged international subscriber audience on his YouTube channel. The project was kicked off when his April 29, 2020 solo recital debut for Carnegie Hall was cancelled because of the pandemic; over the next few months, he created a bespoke YouTube playlist exploring the program (featuring works by John Adams, Philip Glass, Brad Mehldau, Laurie Anderson, himself, and a new commission from Gabriella Smith, et al). The playlist was the subject of a New York Times article, read that here.

In the summer of 2021, Andres was presented in two concerts by San Francisco Performances, including a chamber music concert with Jennifer Koh and Jay Campbell, and a solo recital. He is a 2021 Ojai Music Festival Artist, where he performs both a solo recital and Ingram Marshall’s Flow with John Adams and the OMF Orchestra (on a program with his own Running Theme). 21/22 also includes the premiere of a new composition for concert:nova, a solo work for cellist Johannes Moser; a piece for the Myriad Trio; and a solo recital for the Kaufman Music Center in New York City.

A Nonesuch Records artist, Timo Andres is featured as composer and pianist on the May 2020 release I Still Play, an album comprising a set of piano pieces written by himself and fellow Nonesuch artists for Chairman Emeritus Bob Hurwitz. A Yale School of Music graduate, he is a Yamaha/Bösendorfer Artist and is on the composition faculty at the Mannes School of Music at the New School.